Following up the Sheffield band’s debut album ’Narcissus Road’ with another blockbuster was going to be regarded invariably as difficult. Critical acclaim arrived with that launch set, the perpetually troubled second album could easily be a dodo, were it not for the simple fact that The Hours is a fully-formed, radio-friendly, unashamedly matured pop band of inescapably premium grade quality.

This is a collective of seven members, headed by Antony Genn, who has been through those growing pains of many budding stars, yet, somehow, I do not think that he will snort, blow or smoke his way to the top again. He does not need to. In fantastic voice and aided by keyboard genius, Martin Slattery, what has resulted is a clear signal that The Hours is on target to really hit the big-time. Mind you, seven-strong, you have to wonder if The Hours is intending to hit the big stage soon, with its altogether fuller and more comprehensive sound-scapes.

The line-up now costs of Antony, Martin, on drums Emily Dolan-Davies, also on percussion Andy Treacy, guitars Mark Neary, guitars Richard Lobb, and guitars Mike Moore. While some of the tracks possess a soaring, anthem-laden promise that would do justice at the O2 Arena, I would have wondered if the band could compete with the U2s, Elbows and Oases of our world.

Yet, my second listen-through revealed a classical richness and sonorous competence that is capable of standing comparison with the very best bands currently in the business. I would go further to suggest that The Hours ought to forget supporting and go it alone. ’Big Black Hole’ has already been released as a single but the title track, ’See The Light’, is a stunningly beautiful headliner, possessing as strong a piano-line as ’Yellow’ (from the band, the name of which I hate to mention) and the mellifluous lyrics of a Guy Garvey-esque dose of escapism.

This is music to love and respect. A memorable sound from a fast-growing band. You will want to hear it, time and time again.